Ehrenfellner Chamber Symphony World Premiere at Vienna Konzerthaus

"... and Jeremias Fliedl, who shaped the sentimental lines on the cello beguilingly beautifully."

„… und Jeremias Fliedl, der betörend schön die sentimentalen Linien am Cello formte.“

Theresa Steininger, Die Presse (22.10.2023)

Previous
Previous

Schumann Concerto & Bottesini Gran Duo in Fürth

Next
Next

Review of the Queen Elisabeth Competition Final